The base model $300 THR II can't be powered by batteries at all. That's far less convenient than an integrated rechargeable. The original THR could also be powered by batteries, but it required eight AAs. (Though clearly the latter will be relevant to few of you.) ![]() It's also super handy for spontaneous jam sessions and busking. If I'd prefer to keep the amp at a gentle whisper instead of cranking it, I can just stick it on the coffee table facing directly at me. But sometimes I want to sit on the couch or - really anyplace other than the desk I've been working at all day. Yes, most of the time my amp just sits on my desk in my "studio" (read: a corner of the living room behind a baby gate). This might not sound like a huge deal, but let me tell you: It's an absolute game changer. Yes, that's right, the THR10 II Wireless has a built-in rechargeable battery. But there's a bit of give and take between the old model and the new. Well, beyond still offering some of the best tones you can get without waking a light-sleeping baby, the THR has a number of features that help elevate it above your standard practice amp. No additional processing was done to the raw recordings.Īll right, so it's a digital-modeling amp with some built-in effects. The amps were recorded using two SM57s connected to a Scarlett 2i4. ![]() That's neither good nor bad it's just a matter of personal taste.įor this video I'm playing a guitar loop with all the controls set to 12 o'clock as I cycle through each amp model. Most of the differences are subtle, except for the chorus, which now has a much more modern voicing, compared with the '80s-ish wash on the original. The effects algorithms have also been tweaked. What's more, it's actually my favorite of all the amp sounds, which makes it all the sadder that frankly, Crunch on the new amp sounds pretty rough. It's hard to explain, but the original feels crisper and warmer. The place where the II can't match the original THR, though, is on the Crunch setting. Unlike on the original, you might even be able to hear it over an actual drummer in a rehearsal space. On the II it's a much different story: HiGain and Special have some body and roar to them. Switching to Brit Hi or Modern on the THR10 always results in a compressed mess with half the volume of the other amp models. The high-gain options on the II blow the original out of the water. I do find the new Clean model a little more nasal than the original, but some people might prefer its pronounced mid honk. Those always introduced some unwanted distortion in the THR, but it now stays much cleaner at higher volumes. But because the new model is actually a 20-watt amp instead of 10 (despite the name), there's additional headroom, which means it takes effect pedals better, especially loop pedals. The Clean and Lead options are pretty close in terms of overall quality. (Author's note: Hi! □)īy subscribing, you are agreeing to Engadget's Terms and Privacy Policy.Īll the amp emulations have been tweaked for the new version, mostly for the better. It's another high-gain sound, but it doesn't feel quite as high as HiGain. HiGain might be another attempt at a Mesa tone, but Special - well, I'm kinda lost. The THR II has HiGain and Special, and honestly I'm not 100 percent sure what they're supposed to be. The original THR has Brit Hi (Marshall JCM800, maybe?) and Modern (almost certainly Mesa Boogie Dual Rectifier). However, the last two models available on the front panel are pretty different. Yamaha won't name names, but it seems safe to say that the Clean, Crunch and Lead channels on both the original and the new models are inspired by a Fender Twin Reverb, a Vox AC30 and a Marshall Plexi, respectively. The whole thing is digital, but the THR series does its best to capture the sound and feel of popular tube amplifiers. ![]() Of course, there are no actual tubes here. And the kicker: The amp gives off a gentle, orange glow when powered on, similar to a tube amp's. (I'll admit I much prefer the herringbone of the original THR.) The knobs and chrome handle on top also lean into the old-school vibe. ![]() The outside is a matte, cream-colored metal with a Y pattern punched out. Part of its allure is the retro styling that's more reminiscent of a piece of stereo equipment than a guitar amp. The THR remains the undisputed king of looks.
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